Written by Nawal Chowdhury
Hong Dabin released his long awaited album, Giggles, on January 23rd. This is his first album release under his birth name. The album comprises 13 tracks that contain personal stories from Dabin. Dabin finds himself reflecting on the past, addressing betrayals, and learning how to smile again.
This album is definitely meant to be listened to in order. Listening to the album in order allows listeners to see how Dabin is reflecting on the events that occurred. Giggles begins with “Kiss The Ring” where Dabin proudly details his success as an artist while also paying homage to the DPR crew. He reminds listeners who he is and what he is capable of. Listening to this track, I feel proud of Dabin and his achievements. I am celebrating his successes with him as a fan. “Kiss The Ring” is Dabin’s trophy.
In the second track, “Ghost K!D,” Dabin flashes back to his school days. He reflects on his experience as an outcast and not having a sense of belonging. A young Dabin wants to make new friends, but he is left clueless about what crowds he wants to be involved with. He recalls being antagonized by bullies and being robbed of the money his mother gave him. Dabin faces a similar experience as an adult which he recounts in later tracks. It must’ve felt very alienating for Dabin to grow up in a place where he was mocked for how he looked. As the daughter of immigrants, I can relate to Dabin in the sense that I also had a difficult time blending in with my peers. “Ghost K!D” contains relatable elements despite originating from a personal narrative.
In the sixth track of the album “WMP Freestyle,” Dabin faces a betrayal where he was exploited and scammed. Dabin does an excellent job at addressing his anger through the lyrics and his tone. This is the climax of the album. I appreciate that Dabin was able to be honest and unapologetic.
Following the intensity of “WMP Freestyle,” there are tracks like “unconscious interlude” and “Anechoic Period” serving as the breath of fresh air one requires after experiencing strong emotions. In “Anechoic Period,” Dabin grounds himself by taking a deep breath and exhaling slowly. After expressing his anger, he is learning to be calm despite facing a challenging situation. It’s a great transition into the second half of the album where Dabin is more reflective. He got what he needed to say off his chest, took a deep breath, and is now ready to move on. Personally, I enjoy listening to this track at the end of a long day. I take a deep breath with Dabin and reflect on everything I’ve done.
In “Shower Song,” things finally start to look up. Like a shower washes off all the dirt, this song is a fresh new start. It gives Dabin a chance to turn things around and learn how to giggle again regardless of the obstacles thrown at him. This is my personal favorite track because it highlights brand new opportunities and being able to start over.
What I enjoy about this album is how cohesive it is despite the tracks being very distinct in sound. Dabin’s versatility shines through. I love how each track fits into the next. They’re like puzzle pieces hence why this album must be listened to in order rather than on shuffle. When I listen to this album, I can feel the emotions Dabin felt. His ability to translate his feelings into precious art is admirable.
Giggles is an album of self-healing and rebirth.
